Several of the characters in Hamlet could be considered mad. Most notably, Hamlet and Ophelia characterize the idea of madness in this play. The madness displayed by each of these characters is driven, in part, by the deaths of their fathers, however they each portray madness in different ways even though their madness is driven by similar origins. The madness of each of these characters ultimately ends in tragedy.
By Laura Bulkin tempo taosnews. His explorations of human love, ambition and hubris, translated into at least 80 languages, have remained ever-timely and freshly relevant throughout four centuries.
Teatro Serpiente is about to embark on a two-week run of what is arguably the Bard's most complex work: All shows will be at 7 p. The tale begins on a dark winter night at Denmark's Elsinore Castle, a castle now haunted by the ghost of its murdered king, Prince Hamlet's father.
Hamlet takes on the task of avenging his father's death, and thus begins his descent into futility, crippling indecision and madness, or at least feigned madness.
Actor, singer and writer Serena Jade Smith is making her directorial debut with this production. Smith devoted six months to preparation, adapting a four-hour script with 32 characters down to a manageable length of a bit over two hours, with 10 actors.
She also immersed herself in the canon of literature and analysis about the play, considering everything from Freud to "The Lion King.
Everything is shown from Hamlet's perspective, all these in-between places, between life and death, between feminine and masculine.
I wanted to really explore his distrust of women and the different ways of being a man that are expressed in the different characters. So when Serena suggested it and said she hoped I'd play that role, it was a pretty exciting moment.
It's been a very different kind of thing to approach.
First, because of the technical scale, the quantity of dialogue you have, so much to learn before you even get to the character himself. When I was going through and memorizing scene by scene, there were a lot of lines that would immediately give me an emotional response.
I feel very confident disclosing that at that point in my life, I hadn't the slightest clue of the raging sea of emotions a reigning queen and mother could experience while grieving for a dead husband, marrying his brother and watching her son seemingly go mad.
But in truth, even more than 20 years later, I'm still not sure I've even scratched the surface. The questions it presents about masculinity, grief and violence still feel intensely relevant today.
I'm grateful for the opportunity to portray Ophelia, and I hope I can do justice both to her character and to the beautiful language in which she's written.
I'm excited about the fight scenes that I am part of in the play. Serena is doing a a really great job with the script, and Hamlet is incredible. I'm very excited Taos gets to see this production. Rosencrantz is played by Jessica Fitzgerald. It was great to see Serena's interpretation of these characters come to life, and I think a lot of her choices have not been done before.
He makes himself and Gertrude more sympathetic," Smith said. Jess and Joel are such a great comedy duo. Ryan brings something tender to Horatio and helps to humanize Hamlet.
Noah brings something really beautiful to Laertes, and I love his relating with Jazzmine's Ophelia. Ashley's Marcellus is brilliant. And I love the way Gina's playing Gertrude, she's so sassy. Noah Yacko is doing sound and lights, and Melia Paulden is stage managing. Travis Webb is doing our fight choreography.
We're grateful to Saundra Bouchie for letting us use the Little Theatre and for being so supportive. And a big thank-you to Lily Sanborn and Jazzy Stoner for all of their work and help.
What makes us human, what's really worth living for? I want people to come away with questions, and hopefully, the realization that there may not be one right answer. If you think about it, this is a human ritual centuries old.
For more information visit teatroserpiente.Enter KING CLAUDIUS, QUEEN GERTRUDE, HAMLET, POLONIUS, LAERTES, VOLTIMAND, CORNELIUS, Lords, and Attendants KING CLAUDIUS Though yet of Hamlet our dear brother's death Hamlet in madness hath Polonius slain, And from his mother's closet hath he dragg'd him: Go seek him out; speak fair, and bring the body Into the chapel.
I pray you, haste in. Get free homework help on William Shakespeare's Hamlet: play summary, scene summary and analysis and original text, quotes, essays, character analysis, and filmography courtesy of CliffsNotes.
William Shakespeare's Hamlet follows the young prince Hamlet home to Denmark to . Hamlet then asks, “How came he mad?” () Hamlet makes a point to see if people merely saw the madness or the source of why he seemed mad. Grief and madness in Shakespeare’s “Hamlet” and the difference between how Hamlet and Ophelia handled their grief shows how determining whether the cause of madness is temporary or permanent.
Madness and Insanity in Shakespeare's Hamlet - The Necessary Madness of Hamlet - The Necessary Madness of Hamlet Hamlet, by William Shakespeare, is a complex play, filled with layers of meaning. In his sixties he was able to combine his love of Shakespeare and knowledge of the diagnosis and treatment of mental illness, in publishing his Study of Hamlet.
He tries to establish “whether Shakespeare intended simply to portray the feigning of madness, or designedly drew a representation of a mind really disordered”. Sanity, Insanity, Madness? - William Shakespeare's Hamlet is Sane Words | 9 Pages.
Sanity, Insanity, Madness? - William Shakespeare's Hamlet is Sane In William Shakespeare's Hamlet, the lead character, Prince Hamlet of Denmark, has been interpreted in numerous ways.